SOUL CHILDREN

A two-man, two-woman vocal group with a penchant for recording soap-opera ballads dealing with adultery, the Soul Children were signed to Stax Records in the late '60s and first clicked on the soul charts with the multi-part "The Sweeter He Is." Their biggest hit came in late 1974 with "I'll Be the Other Woman," which dented the pop Top 40. After Stax closed its doors in 1975, they recorded for Epic and later some up-tempo dance singles for Fantasy's reactivated Stax label.

Review by Richie Unterberger (Allmusic)
A respectable record that, even more than many Stax albums from the late '60s and early '70s, has a substantial gospel influence. Gospel was an influence in just about every soul record, of course, but you really hear it with this quartet, especially in the opening, eight-minute "I Want to Be Loved." The mood is funky but a bit more low-key and subdued than was the case on many such LPs of the time, which is a plus — it makes the record stand out from the crowd a little. The presence of different male and female lead singers, and shared leads within the same song, also gives it some welcome variety, even if the group didn't have what it took to be considered among the top tier of soulsters, either in terms of vocals or material. J. Blackfoot's hoarse, scratchy leads (like a muted mixture of James Brown and Otis Redding) provide the most distinctive voice. And it's his lead that paces "Hearsay," the album's upbeat hit single, which made number five on the R&B charts and the middle of the pop charts. The album was paired with 1974's Friction on a single-disc CD reissue.

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