SLAVE

boomp3.com
Arguably the hottest of the '70s Ohio funk bands, Slave had a great run in the late '70s and early '80s. Trumpeter Steve Washington formed the group in Dayton in 1975. Vocalist Floyd Miller teamed with Tom Lockett Jr, Charlie Bradley, Mark Adams, Mark Hicks, Danny Webster, Orion Wilhoite, and Tim Dozier. Vocalists Steve Arrington and Starleana Young came aboard in 1978, with Arrington ultimately becoming lead vocalist. Their first big hit was the thumping single "Slide" in 1977 for Cotillion, where they remained until 1984. Their best tracks were lyrically simple and at times silly, but the arrangements and rhythms were intense and hypnotic. Other Top Ten R&B hits were "Just a Touch of Love" in 1979, "Watching You" in 1980, and "Snap Shot" in 1981. Young, Washington, and Lockett departed to form Aurra in 1979. Arrington himself left in the early '80s. They added Charles Carter, Delburt Taylor, Sam Carter, Kevin Johnson, and Roger Parker as replacements and continued on, though much less successfully, into the late '80s. They moved to Atlantic for one LP in 1984, then switched to the Atlanta-based Ichiban in 1986 for singles and LPs that were just a shade of the former vibrant Slave sound. Their most recent release was The Funk Strikes Back in 1992. Rhino issued Stellar Funk: The Best of Slave, a first-rate anthology of their finest cuts, in 1994.
Biography by Ron Wynn (Allmusic)


Review:
The debut album from the Ohio-based funk aggregate Slave was a grand success, but resulted in the release of only one single, "Slide." Being the only single released from the album, "Slide" had no problem gaining airplay with its gothic introduction, animated vocals, and rumbling bassline. The funk anthem claimed the number one spot on the Billboard R&B charts inside of 20 weeks. The other cuts on the album continue the aggressive funk assault, but with subtle passion and their own distinctive arrangements. The exception is "Son of Slide," which is identical to the album's big hit, except that it's an instrumental save a brief chorus chant. The only ballad is "The Happiest Days," a sweet soul song arranged in the vein of the Ohio Players with its horns, lead and backing vocals.

Review by Craig Lytle (Allmusic)